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PostSubject: Brian Eno-The True Wheel   Sat Nov 17, 2012 1:20 am



We are the 801
We are the central shaft


And we are here to let you take advantage
Of our lack of craft
Certain streets have certain corners
Sooner or later we'll turn your.


We are the 801
We are the central shaft


And thus throughout two years we've crossed the ocean
In our little craft (row, row, row)
Now we're on the telephone
Making final arrangements (ding, ding)


We are the 801
We are the central shaft


Looking for a certain ratio
Someone must have left it underneath the carpet
Looking up and down the radio
Oh, oh, nothing there this time
Looking for a certain ratio
Someone said they saw it parking in a car lot
Looking up and down the radio
Oh, oh, nothing there this time
Going back down to the rodeo
Oh, oh, oh, oh, oh, oh, oh, oh, here we go!


We are the table the captain's table let's get it understood
Let's get it understood
We are the losers we are the cruisers let's get it understood
Let's get it understood
We are the diners the final diners let's get it understood
Let's get it understood
Most of us are tinkers, some of us tailors
And we've got candlesticks and lots of cocktail sticks
We saw the lovers the modern lovers and they looked very good
They looked as if they could
We are the neighbours the nosy neighbours we think just like you would
We think just like you should.

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PostSubject: Brian Eno-"China My China"    Sat Nov 17, 2012 1:27 am




http://www.youtube.com/watch?v=76qPMv1tCfI&feature=related

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PostSubject: Brian Eno - King's Lead Hat (single version)    Sat Nov 17, 2012 1:31 am



Dark alley (dark alley) black star
Four turkeys in a big black car
The road is shiny (bright shine) the wheels slide
Four turkeys going for a dangerous ride
The lacquer crackles (black tar) the engines roar
A ship was turning broadside to the shore
Splish splash I was raking in the cash
The biology of purpose keeps my nose above the surface (OOH)
King's lead hat put the innocence inside her, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come


In New Delhi (smelly Delhi) and Hong Kong
They all know that it won't be long
I count my fingers (digit counter) as night falls
And draw bananas on the bathroom walls
The killer cycles (humdrum) the killer hunts
The passage of my life is measured out in shunts
Time and motion (motion carried) time and tide
All I know and all I have is time and time and tide is on my side
King's lead hat put the poker in the fire, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come


The weapon's ready (ready Freddy) the guns purr
The satellite distorts his voice to a slur
He gives orders (finger pie) which no one hears
The king's hat fits over their ears
He takes his modicate (indecipherable) cold turpentine
He tries to dial out 999999999
He dials reception (moving finger) he's all alone
He's just a victim of the telephone
King's lead hat made the Amazon much wider, it will come, it will come, it will surely come
King's lead hat put the poker in the fire, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come
King's lead hat put the innocence inside her, it will come, it will come, it will surely come
King's lead hat was a hammer to desire, it will come, it will come, it will surely come.

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PostSubject: The Velvet Underground-White Light/White Heat    Sat Nov 17, 2012 1:48 am




White light, White light goin' messin' up my mind
White light, and don't you know its gonna make me go blind
White heat, aww white heat it tickle me down to my toes
White light, Ooo have mercy while I'll have it goodness knows

White light, White light goin' messin' up my brain
White light, Aww white light its gonna drive me insane
White heat, Aww white heat it tickle me down to my toes
White light, Aww white light I said now goodness knows, do it

Hmm hmm, White light
Aww I surely do love to watch that stuff tip itself in
Hmm hmm, White light
Watch that side, watch that side don't you know it gonna be dead in the drive
Hmm hmm, White heat
Hey foxy mama watchin' her walk down the street
Hmm hmm, White light
Come up side your head gonna make a deadend on your street

White light, When I moved in me intween my brain
White light, White light goin' makin' you go insane
White heat, Aww white heat it tickle me down to my toes
White light, Aww white light I said now goodness knows

White light, Aww white light it lighten up my eyes
White light, don't you know it fills me up with suprise
White heat, Aww white heat tickle me down to my toes
White light, Aww white light I tell you now goodness knows, now work it

Hmm hmm, White light
Aww she surely do moves me
Hmm hmm, White light
Watch that speed freak, watch that speed freak everybody gonna go and make it every week
Hmm hmm, White heat
Aww sputter mutter everybody gonna go kill their mother
Hmm hmm, White light
Here she comes, here she comes, everybody get 'n gone make me run to her

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PostSubject: The Velvet Underground - Black Angels Death Song    Sat Nov 17, 2012 1:51 am



The myriad choices of his fate
Set themselves out upon a plate
For him to choose
What had he to lose

Not a ghost bloodied country
All covered with sleep
Where the black angel did weep
Not an old city street in the east
Gone to choose

And wandering's brother
Walked on through the night
With his hair in his face
On a long splintered cut from the knife of G.T.

The rally man's patter ran on through the dawn
Until we said so long
To his skull-shrill yell

Shining brightly red-rimmed and
Red-lined with the time
Infused with the choice of the mind
On ice skates scraping chunks
From the bills

Cut mouth bleeding razor's
Forgetting the pain
Antiseptic remains cool goodbye
So you fly
To the cozy brown snow of the east
Gone to choose, choose again

Sacrificials remains make it hard to forget
Where you come from
The stools of your eyes
Serve to realize fame, choose again

And roverman's refrain of the sacrilege recluse
For the loss of a husk
Went the bowels and a tail of a rat
Come again, choose to go

And if Epiphany's terror reduced you to shame
Have your head bobbed and weaved
Choose a side to be on

If the stone glances off
Split didactics in two
Leave the colors of the mouse trails
Don't scream, try between
If you choose, if you choose, try to lose
For the loss of remain come and start

Start the game I che che che che I
Che che che ka tak koh
Choose to choose
Choose to choose, choose to go

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PostSubject: NICO-'Waiting For My Man'    Sat Nov 17, 2012 1:55 am








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PostSubject: Vanessa Paradis - Waiting For My Man    Sat Nov 17, 2012 2:16 am


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PostSubject: The Velvet Underground - I´m Waiting For The Man    Sat Nov 17, 2012 2:25 am

The Original and the best,the Norman Dolph Acetates were great,but this is energy fueled,the anticipation,the score...nothing like it.Most of my adventures in life centre around a long trip just to get on,getting high and the people you meet under the influence...





I'm waiting for my man
Twenty-six dollars in my hand
Up to Lexington, 125
Feel sick and dirty, more dead than alive
I'm waiting for my man

Hey, white boy, what you doin' uptown?
Hey, white boy, you chasin' our women around?
Oh pardon me sir, it's the furthest from my mind
I'm just lookin' for a dear, dear friend of mine
I'm waiting for my man

Here he comes, he's all dressed in black
PR shoes and a big straw hat
He's never early, he's always late
First thing you learn is you always gotta wait
I'm waiting for my man

Up to a Brownstone, up three flights of stairs
Everybody's pinned you, but nobody cares
He's got the works, gives you sweet taste
Ah then you gotta split because you got no time to waste
I'm waiting for my man

Baby don't you holler, darlin' don't you bawl and shout
I'm feeling good, you know I'm gonna work it on out
I'm feeling good, I'm feeling oh so fine
Until tomorrow, but that's just some other time
I'm waiting for my man









Uploaded by landofrob on Mar 30, 2011


From The Velvet Underground's 1st studio session, recorded over 4 days in April 1966. This acetate copy of the final mixes originally belonged to
studio owner Norman Dolph, and was famously found at a yard sale for 75 cents and then sold for over $25,000. Several different versions have appeared in various dark corners of the internet over the past few years; this one, from the bootleg CD "Unripened", sounds best IMO. Perhaps "least awful" is a more accurate description of the recording's sound quality, but this is still an amazing artifact. Ladies and gentlemen, The Velvet Underground and Nico.

Here are the liner notes:
"
What you're holding in your hand is what the first Velvet Underground album would have sounded like had it not been rejected by the powers that be. Andy Warhol's intention was to capitalize on the buzz surrounding the band's debut gigs under the guise of the Exploding Plastic Inevitable shows. A music-art-freak out-happening. Andy, wanting to keep the band's abrasive sound and seedy subject matter, arranged for a session at a run down New York studio called Scepter Studios, under the watchful eye of a Mr. Norman Dolph. Payment for the four day recording session in April 1966 was one of Andy's paintings. Which in time would prove very financially rewarding for Mr. Dolph.

The recordings cut onto acetate were listened to by Columbia Records and rejected. As was all the great era defining music, check out The Beatles and The Rolling Stones for similar tales of woe. The group would later that year be dispatched to Los Angeles to re-record the bulk of these tunes, "Heroin", "Venus In Furs" and "I'm Waiting For The Man" with another producer Tom Wilson at a studio called TTG. the other tunes would be remixed and a
recording of "sunday Morning" cut in New York would be added alongside "There She Goes Again". The track listing changed around to give a more
user friendly feel to the album.

Here we present the original album taken from the acetate version with its original running order. "European Son" opens the album, which is a completely different take than the released version. It has a blusier structure that builds more gradually and is several minutes longer. "The Black Angel's Death Song" is a different mix to the finished tune. "All Tomorrow's Parties" again is a different mix to the released version. "I'll Be Your Mirror" has a radically different sound that has less echo on Nico's vocals and the backing vocals are lower in the mix. "Heroin" is a completely different version. The guitar line is different, vocal infections are different and contain some different lyrics. The drumming is more primitive and runs parallel with a tambourine.

"Femme Fatale" is also a radically different mix. The percussion is more prominent and the background vocals used in a poppier way. "Venus In Furs" is a completely different version. The vocal accents are different.
Instrumentation more based around john Cale's viola than the guitar, as in the released version. "I'm waiting For The Man" is a completely different version. The guitar line is completely different and some of the lyrics also. No drums, just tambourine and a bluesy guitar solo. "Run Run Run" is a different mix to the released version.

What also changes the feel of the album is the running order. This original version starting with "European son" and with the absence of the lighter cut
"Sunday Morning" that opened the released version, gives the album a darker feel. Which one is better? That is up to you to decide. But now for the first time since 1966 you can hear the dreamscape that the band and Mr. Andy Warhol had in store for us. So sit back, peel slowly and listen to this lost masterpiece in all its unripened glory.

Taken from original acetate version. Every effort has been made to clean up the sound, but also keep the feel.
"

Additional information on the acetate, session, and final album can be found at:

http://en.wikipedia.org/wiki/The_Velvet_Underground_%26_Nico#Scepter_Studios_...









The final night of The Velvets' residency at The Gymnasium was billed as "National Swingers Night," and at some point the fateful decision was made to capture the band's performance on reel-to-reel tape, which was a very uncommon occurrence during The Velvets' association with Warhol; what's even more surprising is that the parties concerned decided to do so in the absence of the band's "chanteuse," Nico, who had not returned from a trip to Ibiza. Psychedelic Sounds from The Gymnasium features this reel-to-reel recording (though there is some disagreement over whether it is the complete performance), and it is, quite possibly, the most important "unofficial" Velvet Underground recording in existence. This is due not only to the historic value of the recording and its surprising sonic clarity, but also to the performances, including a song that appears nowhere else in The Velvet's official and unofficial discographies: "I'm Not a Young Man Anymore." Listening to Reed's spidery guitar figure and his dark, mantra-like vocals, it's hard not to wonder how the song was never recorded in the studio, as it is easily the equal of a number of songs from both The Velvet Underground & Nico and White Light / White Heat. Another gem is the first public performance of the epic "Sister Ray," whose crunchy guitar groove likely inspired Stein's description of the band that night as "awesomely powerful." Psychedelic Sounds from the Gymnasium captures The Velvet Underground at their grimy, arty best and makes pointedly clear what set this band apart both musically and lyrically. John Cale: "There was commitment there. That was the powerful advantage that all of Lou's lyrics had. All Bob Dylan was singing was questions- How many miles? and all that. I didn't want anymore questions. Give me some tough social situations and show that answers are possible."



Psychedelic Sounds from the Gymnasium









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PostSubject: Lou Reed - Wanted Dead Or Alive   Sat Nov 17, 2012 2:44 am


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PostSubject: Lou Reed,Nico & John Cale - Waiting for the Man - Bataclan '72    Sat Nov 17, 2012 6:55 pm

Beautiful,romantic version of this true classic.


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PostSubject: John Cale - I´m Waiting For The Man (Rockpalast 1983 & 1984)    Sat Nov 17, 2012 6:56 pm


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PostSubject: John Cale, Nick Cave & Chrissy Hynde - I´m Waiting For The Man    Sat Nov 17, 2012 6:58 pm


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PostSubject: David Bowie - Waiting For The Man (1970)    Sat Nov 17, 2012 7:03 pm


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PostSubject: David Bowie waiting for the man earliest version    Sat Nov 17, 2012 7:07 pm


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PostSubject: David Bowie: Waiting for the man - live @ Santa Monica 1972    Sat Nov 17, 2012 7:11 pm





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PostSubject: Lou Reed - I'm Waiting for the Man - live in Paris, 1974    Sat Nov 17, 2012 7:22 pm





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PostSubject: Iggy Pop-No Fun/Waiting For My Man.wmv    Sat Nov 17, 2012 7:30 pm


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PostSubject: I'm Waiting for the Man - Beck    Sat Nov 17, 2012 7:32 pm


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PostSubject: Waiting for the Man - Reed and Bowie    Sat Nov 17, 2012 7:37 pm


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PostSubject: The Velvet Underground - Heroin    Sat Nov 17, 2012 7:46 pm

yes,once used to shoot to this,long ago and so cliched.




Uploaded by blestemp on Jun 8, 2008


Though largely ignored upon its release, it has since become one of the most influential and critically lauded rock albums in history, appearing as #13 on Rolling Stone magazine's list of the 500 greatest albums of all time as well as being added to the 2006 National Recording Registry by the Librarian of Congress.

On the 1996 CD reissue, the banana image is on the front cover while the image of the peeled banana is on the inside of the jewel case, beneath the CD itself.

Much of the album's sound was conceived by John Cale, who stressed the experimental qualities of the band. Cale, who was influenced greatly by his work with La Monte Young, John Cage and the early Fluxus movement, encouraged the use of alternative ways of producing sound in music. Cale thought his sensibilities meshed well with Lou Reed's, who was already experimenting with alternative tunings. For instance, Reed had "invented" the ostrich guitar tuning for a song he wrote called "The Ostrich" for the short-lived band The Primitives. Ostrich guitar tuning consists of all strings being tuned to the same note. The method was utilized on songs "Venus in Furs" and "All Tomorrow's Parties". Often, the guitars were also tuned down a whole step, which produced a lower, fuller sound that Cale called "sexy".

Track History: "Heroin" is a song by The Velvet Underground, released on their 1967 debut album, The Velvet Underground and Nico. Written by Lou Reed in 1964, the song is one of the band's most celebrated compositions, overtly depicting heroin use and abuse. Critic Mark Deming writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners".[1]

In 2004, Rolling Stone ranked it #448 on their list of the 500 Greatest Songs of All Time. In 2006, Pitchfork Media ranked it #77 on their list of the 200 Greatest Songs of the 1960s. In 2007 Mental Floss magazine listed it as one of ten songs that changed the world. "Heroin" was among a three-song set to be re-recorded at T.T.G. Studios, Hollywood before being included on the final release of The Velvet Underground and Nico (along with "I'm Waiting for the Man" and "Venus in Furs"). This recording of the song would be the album's second longest at 7 minutes and 12 seconds, being eclipsed only by "European Son" by about thirty seconds.

"Heroin" begins slowly with Lou Reed's quiet, melodic guitar and hypnotic drum patterns by Maureen Tucker, soon joined by John Cale's droning electric viola and Sterling Morrison's steady rhythm guitar. The tempo increases gradually, mimicking the high the narrator receives from the drug, until a frantic crescendo is reached, punctuated by Cale's shrieking viola and the more punctuated guitar strumming of Reed and Morrison. Tucker's drumming becomes hurried and louder. The song then slows to the original tempo, and repeats the same pattern before ending.

The song is based on a D flat and a G flat major chords. Like "Sister Ray", it features no bass guitar. Rolling Stone magazine said "It doesn't take much to make a great song," since the song only featured three chords.



Lyrics: When Im rushing on my run
And I feel just like jesus son
And I guess I just dont know
And I guess that I just dont know

I have made very big decision
Im goin to try to nullify my life
cause when the blood begins to flow
When it shoots up the droppers neck
When Im closing in on death

You cant help me not you guys
All you sweet girls with all your sweet talk
You can all go take a walk
And I guess I just dont know
And I guess I just dont know

I wish that I was born a thousand years ago
I wish that Id sailed the darkened seas
On a great big clipper ship
Going from this land here to that
I put on a sailors suit and cap

Away from the big city
Where a man cannot be free
Of all the evils in this town
And of himself and those around
Oh, and I guess I just dont know
Oh, and I guess I just dont know

Heroin, be the death of me
Heroin, its my wife and its my life
Because a mainer to my vein
Leads to a center in my head
And then Im better off than dead

When the smack begins to flow
Then I really dont care anymore
About all the jim-jims in this town
And everybody putting everybody else down
And all of the politicians makin crazy sounds
All the dead bodies piled up in mounds, yeah

Wow, that heroin is in my blood
And the blood is in my head
Yeah, the gods good as dead
Ooohhh, God that Im not aware
I just dont care
And I guess I just dont know
And I guess I just dont know


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PostSubject: The Stooges - Down On The Street   Sun Nov 18, 2012 9:10 am




LYRICS:

Ooh! wrawgh! huh!

Down on the street where the faces shine
Floatin' around on a real O-mind
Seein' pretty things
Aint no walls
Seein' pretty things
Aint no walls

No walls!
No walls!
No walls!
No walls!

Yea, deep in the night I'm lost in love
Yea, deep in the night I'm lost in love
Thousand lights look at you
Thousand lights look at you
At you!
At you!
At you!
Yeaah, at you! Come on! Pow-pow-pow!

Yeah!
Yeah!
Brrrrrhhhhhuh! huh! huh huh!!
Ooh-no oh-no oh-no no-no-no-no-no-no
No no no no no-no

Faces shine
Real O-mind
Real O-mind
I'm the real O-mind
Real O-mind

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PostSubject: Brian Eno - Needles In the Camels Eye   Sun Nov 18, 2012 9:19 am





Those who know
They don't let it show
They just give you one long glance
And you'll go oh, oh, oh, oh.


Goes to show
How winds blow
The weather's fine
And I feel so, so, so, so, so.


Birds of Prey
With too much to say
Oh what could be my destiny
Another rainy day.


Why ask why
For by the by and by,
All mysteries are just more
Needles in the camel's eye.


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PostSubject: Brian Eno "Sky Saw"    Sun Nov 18, 2012 9:30 am




All the clouds turn to words
All the words float in sequence
No one knows what they mean
Everyone just ignores them


Refrain (sung simultaneously with above verse)


Mau Mau starter ching ching dad da
Daughter daughter dumpling data
Pack and pick the ping pong starter
Carter Carter go get Carter
Perigeeeeeeeee
Open stick and delphic doldrums
Open click and quantum data.

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PostSubject: Brian Eno - Mother Whale Eyeless    Sun Nov 18, 2012 6:51 pm








I can think of nowhere
I would rather be
Reading morning papers
Drinking morning tea.


She clutches the tray
And then we talk just like a kitchen sink play
Nothing ventured nothing gained
Living so close to danger
Even your friends are strangers
Don't count upon their company.


Places for the fingers
Places for the nails
Hidden in the kitchen
Right behind the scales.


What do I care
I'm wasting fingers like I have them to spare
Plugging holes in the Zuider Zee
Punishing Paul for Peter
Don't ever trust those meters
What you believe is what you see.


In my town, there is a raincoat under a tree
In the sky there is a cloud containing the sea
In the sea there is a whale without any eyes
In the whale there is a man without his raincoat.


In another country
With another name
Maybe things are different
Maybe they're the same.


Back on the train
The seven soldiers read the papers again
But the news it doesn't change
Swinging about through the creepers
Parachutes caught on steeples
Heroes are born
But heroes die.


Just a few days
A little practice and some holiday pay
We're all sure
You'll make the grade
Mother of God if you care
We're on a train to nowhere
Please put a cross upon our eyes
Take me I'm nearly ready you can take me
To the raincoat in the sky
Take me my little pastry mother take me
There's a pie shop in the sky.

_________________
"When the going gets weird,the weird turn pro"-Hunter S Thompson




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PostSubject: Roxy Music - Mother Of Pearl   Fri Nov 30, 2012 12:27 am

Billy Ruben wrote:
Billy Ruben wrote:
Great scene Pigs,don't worry,I'm innovative enough to not rip scenes off from films,I make original scripts.

See you soon.













Now for a little balance.

She is sweet as this,I see her,even with Voetterl,that the war with the pigs of Taree,is secondary,just to gaze upon her beauty.They pulled up,together,took a walk and just had to follow her litytle bum wriggling as she walked....I did walk home on clouds that day.

This is a song for Ann.






"Mother Of Pearl"


Turn the lights down
Way down low
Turn up the music
Hi as fi can go
All the gang's here
Everyone you know
It's a crazy scene
Hey there just look over your shoulder
Get the picture'
No no no no .......(Yes)
Walk a tightrope
Your life-sign-line
Such a bright hope
Right place, right time
What's your number'
Never you mind
Take a powder
But hang on a minute what's coming round the corner'
Have you a future'
No no no no .......(Yes)
Well I've been up all night again
Party-time wasting is too much fun
Then I step back thinking
Of life's inner meaning
And my latest fling
It's the same old story
All love and glory
It's a pantomime
If you're looking for love
In a looking glass world
It's pretty hard to find
Oh mother of pearl
I wouldn't trade you
For another girl
Divine intervention
Always my intention
So I take my time
I've been looking for something
I've always wanted
But was never mine
But now I've seen that something
Just out of reach - glowing -
Very Holy grail
Oh mother of pearl
Lustrous lady
Of a sacred world
Thus: even Zarathustra
Another-time-loser
Could believe in you
With every goddess a let down
Every idol a bring down
It gets you down
But the search for perfection
Your own predilection
Goes on and on and on and on
Canadian Club love
A place in the Country
Everyone's ideal
But you are my favorita
And a place in your heart dear
Makes me feel more real
Oh mother of pearl
I wouldn't change you
For the whole world
You're highbrow, holy
With lots of soul
Melancholy shimmering
Serpentine sleekness
Was always my weakness
Like a simple tune
But no dilettante
Filigree fancy
Beats the plastic you
Career girl cover
Exposed and another
Slips right into-view
Oh looking for love
In a looking glass world
Is pretty hard for you
Few throwaway kisses
The boomerang misses
Spin round and round
Fall on featherbed quilted
Faced with silk
Softly stuffed eider down
Take refuge in pleasure
Just give me your future
We'll forget your past
Oh mother of pearl
Submarine lover
In a shrinking world
Oh lonely dreamer
Your choker provokes
A picture cameo
Oh mother of pearl
So so semi-precious
In your detached world
Oh mother of pearl
I wouldn't trade you
For another girl

_________________
"When the going gets weird,the weird turn pro"-Hunter S Thompson




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