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Billy Ruben
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PostSubject: Brian Eno-The True Wheel   Sat Nov 17, 2012 1:20 am



We are the 801
We are the central shaft


And we are here to let you take advantage
Of our lack of craft
Certain streets have certain corners
Sooner or later we'll turn your.


We are the 801
We are the central shaft


And thus throughout two years we've crossed the ocean
In our little craft (row, row, row)
Now we're on the telephone
Making final arrangements (ding, ding)


We are the 801
We are the central shaft


Looking for a certain ratio
Someone must have left it underneath the carpet
Looking up and down the radio
Oh, oh, nothing there this time
Looking for a certain ratio
Someone said they saw it parking in a car lot
Looking up and down the radio
Oh, oh, nothing there this time
Going back down to the rodeo
Oh, oh, oh, oh, oh, oh, oh, oh, here we go!


We are the table the captain's table let's get it understood
Let's get it understood
We are the losers we are the cruisers let's get it understood
Let's get it understood
We are the diners the final diners let's get it understood
Let's get it understood
Most of us are tinkers, some of us tailors
And we've got candlesticks and lots of cocktail sticks
We saw the lovers the modern lovers and they looked very good
They looked as if they could
We are the neighbours the nosy neighbours we think just like you would
We think just like you should.

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PostSubject: Brian Eno-"China My China"    Sat Nov 17, 2012 1:27 am




http://www.youtube.com/watch?v=76qPMv1tCfI&feature=related

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PostSubject: Brian Eno - King's Lead Hat (single version)    Sat Nov 17, 2012 1:31 am



Dark alley (dark alley) black star
Four turkeys in a big black car
The road is shiny (bright shine) the wheels slide
Four turkeys going for a dangerous ride
The lacquer crackles (black tar) the engines roar
A ship was turning broadside to the shore
Splish splash I was raking in the cash
The biology of purpose keeps my nose above the surface (OOH)
King's lead hat put the innocence inside her, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come


In New Delhi (smelly Delhi) and Hong Kong
They all know that it won't be long
I count my fingers (digit counter) as night falls
And draw bananas on the bathroom walls
The killer cycles (humdrum) the killer hunts
The passage of my life is measured out in shunts
Time and motion (motion carried) time and tide
All I know and all I have is time and time and tide is on my side
King's lead hat put the poker in the fire, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come


The weapon's ready (ready Freddy) the guns purr
The satellite distorts his voice to a slur
He gives orders (finger pie) which no one hears
The king's hat fits over their ears
He takes his modicate (indecipherable) cold turpentine
He tries to dial out 999999999
He dials reception (moving finger) he's all alone
He's just a victim of the telephone
King's lead hat made the Amazon much wider, it will come, it will come, it will surely come
King's lead hat put the poker in the fire, it will come, it will come, it will surely come
King's lead hat was a mother to desire, it will come, it will come, it will surely come
King's lead hat put the innocence inside her, it will come, it will come, it will surely come
King's lead hat was a hammer to desire, it will come, it will come, it will surely come.

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PostSubject: The Velvet Underground-White Light/White Heat    Sat Nov 17, 2012 1:48 am




White light, White light goin' messin' up my mind
White light, and don't you know its gonna make me go blind
White heat, aww white heat it tickle me down to my toes
White light, Ooo have mercy while I'll have it goodness knows

White light, White light goin' messin' up my brain
White light, Aww white light its gonna drive me insane
White heat, Aww white heat it tickle me down to my toes
White light, Aww white light I said now goodness knows, do it

Hmm hmm, White light
Aww I surely do love to watch that stuff tip itself in
Hmm hmm, White light
Watch that side, watch that side don't you know it gonna be dead in the drive
Hmm hmm, White heat
Hey foxy mama watchin' her walk down the street
Hmm hmm, White light
Come up side your head gonna make a deadend on your street

White light, When I moved in me intween my brain
White light, White light goin' makin' you go insane
White heat, Aww white heat it tickle me down to my toes
White light, Aww white light I said now goodness knows

White light, Aww white light it lighten up my eyes
White light, don't you know it fills me up with suprise
White heat, Aww white heat tickle me down to my toes
White light, Aww white light I tell you now goodness knows, now work it

Hmm hmm, White light
Aww she surely do moves me
Hmm hmm, White light
Watch that speed freak, watch that speed freak everybody gonna go and make it every week
Hmm hmm, White heat
Aww sputter mutter everybody gonna go kill their mother
Hmm hmm, White light
Here she comes, here she comes, everybody get 'n gone make me run to her

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PostSubject: The Velvet Underground - Black Angels Death Song    Sat Nov 17, 2012 1:51 am



The myriad choices of his fate
Set themselves out upon a plate
For him to choose
What had he to lose

Not a ghost bloodied country
All covered with sleep
Where the black angel did weep
Not an old city street in the east
Gone to choose

And wandering's brother
Walked on through the night
With his hair in his face
On a long splintered cut from the knife of G.T.

The rally man's patter ran on through the dawn
Until we said so long
To his skull-shrill yell

Shining brightly red-rimmed and
Red-lined with the time
Infused with the choice of the mind
On ice skates scraping chunks
From the bills

Cut mouth bleeding razor's
Forgetting the pain
Antiseptic remains cool goodbye
So you fly
To the cozy brown snow of the east
Gone to choose, choose again

Sacrificials remains make it hard to forget
Where you come from
The stools of your eyes
Serve to realize fame, choose again

And roverman's refrain of the sacrilege recluse
For the loss of a husk
Went the bowels and a tail of a rat
Come again, choose to go

And if Epiphany's terror reduced you to shame
Have your head bobbed and weaved
Choose a side to be on

If the stone glances off
Split didactics in two
Leave the colors of the mouse trails
Don't scream, try between
If you choose, if you choose, try to lose
For the loss of remain come and start

Start the game I che che che che I
Che che che ka tak koh
Choose to choose
Choose to choose, choose to go

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PostSubject: NICO-'Waiting For My Man'    Sat Nov 17, 2012 1:55 am








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PostSubject: Vanessa Paradis - Waiting For My Man    Sat Nov 17, 2012 2:16 am


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PostSubject: The Velvet Underground - I´m Waiting For The Man    Sat Nov 17, 2012 2:25 am

The Original and the best,the Norman Dolph Acetates were great,but this is energy fueled,the anticipation,the score...nothing like it.Most of my adventures in life centre around a long trip just to get on,getting high and the people you meet under the influence...





I'm waiting for my man
Twenty-six dollars in my hand
Up to Lexington, 125
Feel sick and dirty, more dead than alive
I'm waiting for my man

Hey, white boy, what you doin' uptown?
Hey, white boy, you chasin' our women around?
Oh pardon me sir, it's the furthest from my mind
I'm just lookin' for a dear, dear friend of mine
I'm waiting for my man

Here he comes, he's all dressed in black
PR shoes and a big straw hat
He's never early, he's always late
First thing you learn is you always gotta wait
I'm waiting for my man

Up to a Brownstone, up three flights of stairs
Everybody's pinned you, but nobody cares
He's got the works, gives you sweet taste
Ah then you gotta split because you got no time to waste
I'm waiting for my man

Baby don't you holler, darlin' don't you bawl and shout
I'm feeling good, you know I'm gonna work it on out
I'm feeling good, I'm feeling oh so fine
Until tomorrow, but that's just some other time
I'm waiting for my man









Uploaded by landofrob on Mar 30, 2011


From The Velvet Underground's 1st studio session, recorded over 4 days in April 1966. This acetate copy of the final mixes originally belonged to
studio owner Norman Dolph, and was famously found at a yard sale for 75 cents and then sold for over $25,000. Several different versions have appeared in various dark corners of the internet over the past few years; this one, from the bootleg CD "Unripened", sounds best IMO. Perhaps "least awful" is a more accurate description of the recording's sound quality, but this is still an amazing artifact. Ladies and gentlemen, The Velvet Underground and Nico.

Here are the liner notes:
"
What you're holding in your hand is what the first Velvet Underground album would have sounded like had it not been rejected by the powers that be. Andy Warhol's intention was to capitalize on the buzz surrounding the band's debut gigs under the guise of the Exploding Plastic Inevitable shows. A music-art-freak out-happening. Andy, wanting to keep the band's abrasive sound and seedy subject matter, arranged for a session at a run down New York studio called Scepter Studios, under the watchful eye of a Mr. Norman Dolph. Payment for the four day recording session in April 1966 was one of Andy's paintings. Which in time would prove very financially rewarding for Mr. Dolph.

The recordings cut onto acetate were listened to by Columbia Records and rejected. As was all the great era defining music, check out The Beatles and The Rolling Stones for similar tales of woe. The group would later that year be dispatched to Los Angeles to re-record the bulk of these tunes, "Heroin", "Venus In Furs" and "I'm Waiting For The Man" with another producer Tom Wilson at a studio called TTG. the other tunes would be remixed and a
recording of "sunday Morning" cut in New York would be added alongside "There She Goes Again". The track listing changed around to give a more
user friendly feel to the album.

Here we present the original album taken from the acetate version with its original running order. "European Son" opens the album, which is a completely different take than the released version. It has a blusier structure that builds more gradually and is several minutes longer. "The Black Angel's Death Song" is a different mix to the finished tune. "All Tomorrow's Parties" again is a different mix to the released version. "I'll Be Your Mirror" has a radically different sound that has less echo on Nico's vocals and the backing vocals are lower in the mix. "Heroin" is a completely different version. The guitar line is different, vocal infections are different and contain some different lyrics. The drumming is more primitive and runs parallel with a tambourine.

"Femme Fatale" is also a radically different mix. The percussion is more prominent and the background vocals used in a poppier way. "Venus In Furs" is a completely different version. The vocal accents are different.
Instrumentation more based around john Cale's viola than the guitar, as in the released version. "I'm waiting For The Man" is a completely different version. The guitar line is completely different and some of the lyrics also. No drums, just tambourine and a bluesy guitar solo. "Run Run Run" is a different mix to the released version.

What also changes the feel of the album is the running order. This original version starting with "European son" and with the absence of the lighter cut
"Sunday Morning" that opened the released version, gives the album a darker feel. Which one is better? That is up to you to decide. But now for the first time since 1966 you can hear the dreamscape that the band and Mr. Andy Warhol had in store for us. So sit back, peel slowly and listen to this lost masterpiece in all its unripened glory.

Taken from original acetate version. Every effort has been made to clean up the sound, but also keep the feel.
"

Additional information on the acetate, session, and final album can be found at:

http://en.wikipedia.org/wiki/The_Velvet_Underground_%26_Nico#Scepter_Studios_...









The final night of The Velvets' residency at The Gymnasium was billed as "National Swingers Night," and at some point the fateful decision was made to capture the band's performance on reel-to-reel tape, which was a very uncommon occurrence during The Velvets' association with Warhol; what's even more surprising is that the parties concerned decided to do so in the absence of the band's "chanteuse," Nico, who had not returned from a trip to Ibiza. Psychedelic Sounds from The Gymnasium features this reel-to-reel recording (though there is some disagreement over whether it is the complete performance), and it is, quite possibly, the most important "unofficial" Velvet Underground recording in existence. This is due not only to the historic value of the recording and its surprising sonic clarity, but also to the performances, including a song that appears nowhere else in The Velvet's official and unofficial discographies: "I'm Not a Young Man Anymore." Listening to Reed's spidery guitar figure and his dark, mantra-like vocals, it's hard not to wonder how the song was never recorded in the studio, as it is easily the equal of a number of songs from both The Velvet Underground & Nico and White Light / White Heat. Another gem is the first public performance of the epic "Sister Ray," whose crunchy guitar groove likely inspired Stein's description of the band that night as "awesomely powerful." Psychedelic Sounds from the Gymnasium captures The Velvet Underground at their grimy, arty best and makes pointedly clear what set this band apart both musically and lyrically. John Cale: "There was commitment there. That was the powerful advantage that all of Lou's lyrics had. All Bob Dylan was singing was questions- How many miles? and all that. I didn't want anymore questions. Give me some tough social situations and show that answers are possible."



Psychedelic Sounds from the Gymnasium









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PostSubject: Lou Reed - Wanted Dead Or Alive   Sat Nov 17, 2012 2:44 am


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PostSubject: Lou Reed,Nico & John Cale - Waiting for the Man - Bataclan '72    Sat Nov 17, 2012 6:55 pm

Beautiful,romantic version of this true classic.


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PostSubject: John Cale - I´m Waiting For The Man (Rockpalast 1983 & 1984)    Sat Nov 17, 2012 6:56 pm


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PostSubject: John Cale, Nick Cave & Chrissy Hynde - I´m Waiting For The Man    Sat Nov 17, 2012 6:58 pm


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PostSubject: David Bowie - Waiting For The Man (1970)    Sat Nov 17, 2012 7:03 pm


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PostSubject: David Bowie waiting for the man earliest version    Sat Nov 17, 2012 7:07 pm


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PostSubject: David Bowie: Waiting for the man - live @ Santa Monica 1972    Sat Nov 17, 2012 7:11 pm





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